Oakland: Madness C’est La Vie In America

Read the headlines and it’s hard not to conclude that the world has gone mad. Mad enough, in fact, to give North London’s finest twelve-legged quorum of Nutty Boys a run for their money. According to keyboard-wrangler Mike ‘Barso’ Barson, the title track to Madness’s lucky thirteenth full-length C’Est La Vie is “about these crazy times we’re living in, and how I just want to stay on my boat and not be a part of all this madness. But of course, I’m a member of a group called Madness. Perhaps we should have called ourselves ‘Sanity’…”

If this latest opus is any indication, when the going gets mad, the Mad only get sharper, wilder and more succinct. C’Est La Vie combines the widescreen ambition of masterpieces like The Liberty Of Norton Folgate and The Rise & Fall and the all-killer-no-filler tune factory instincts of classics like Absolutely, 7 and Can’t Touch Us Now. It’s a 14-song suite packed with lunatic hooks and neon choruses, eerie space-ska and sophisticated pop genius – a giddy gambol across a bouncy castle soundscape that finds time for moments of righteous anger, powerful empathy and the kind of plain-spoken wisdom that’s always operated beneath the group’s nutty veneer. Vintage Madness, in other words.